Maqbool Fida Husain also is known as M.F. Husain (1915-2011), was one of India’s most famous painter artists. He took birth in Pandharpur, his initial years were spent in Indore. Husain commenced his profession as a painter for film hoardings after his attending art school in Bombay (presently Mumbai). Utilizing freehand drawing and vibrant hues and shades, he delineated various Indian topics in the style of contemporary European art movements, especially Cubism.
Indian Civilization is an ambitious series of artworks. Indian Civilization comprised of eight triptych artworks. The paintings were dispatched in the year 2008 by Mrs. Usha Mittal. The paintings included in Indian Civilization showcases the wealth of India’s history. Each panel investigates an alternate topic, together making the series of artwork. The different artworks help to create a personal vision of India. According to Mr. M.F. Husain, the vision of India is called ‘a museum without walls’.
Entwining symbolic and religious iconography with noteworthy figures and occasions, the works of art additionally included recollections from the artist’s own life. Initially visualized as a series of 96 panels, Husain was all the while taking a shot at the canvases at the hour of his passing in 2011.
The Series “Indian Civilization”
Husain denoted the commencement of his Indian Civilization painting series by painting the Hindu divinity Ganesha. Known as the remover of barriers, Ganesha is a benefactor of human expressions and letters. The deity is loved at the start of any undertaking. He is spoken to as a four-armed man with an elephant head. In Husain’s paintings, Ganesha appeared with an antiquated earthenware goddess figure next to him.
There are online websites that highlight the painting series “Indian Civilization” in detail. Click on those websites to uncover larger versions and manually written recollections from Husain’s own life.
Husain commends three ruling dynasties from India’s long and wild history. He puts the antiquated Mauryan civilization halfway between two attacking rulers, the Muslim Mughal dynasty and the British Raj.
Language of Stone
Husain utilizes the expressions of the artist, Rabindranath Tagore, to pay tribute to India’s incredible sculptural heritage. To Mr. M.F. Husain, they are an assemblage of ‘poems in stone’.
Traditional Indian Festivals
Husain catches the shades, hues, and soul of Indian celebrations. The various antiquated festivals and ceremonies mirror the progression of time and display the role of tradition and religion in Indian culture.
Husain considers the local lives of India’s residents in his paintings. He indicates the day by day schedules of three ordinary urban families. The significant religions of India are spoken to, with three ages sharing their homes and their confidence.
Modes of Transport
Husain introduces the numerous excursions of India’s residents as an illustration of the journey of life. He catches the exciting pace of day to day life. It also discusses the variations of the cutting edge world.
Tale of Three Cities
Three of India’s incredible urban communities accept diverse emblematic implications. Delhi speaks to India’s nationhood, Varanasi its spiritual focus and Kolkata it’s a way of life and activism.
Indian Dance Forms
Husain catches the local decent variety of Indian dance forms, an important part of festival rituals and high culture. The paintings on Indian Dance Structures mirror his affection for both films and dance. Husain in his art also investigates how movement is discussed in films.
Husain portrays the Trimurti, the three standard divine forces of the Hindu religion. Brahma is the maker of the universe, Vishnu its defender and preserver and Shiva is its destroyer.
For elaborate know-how of Husain’s paintings visit relevant websites available online.